Repeat all Chile
17 March – 27 April 2007
Repeat All is a travelling exhibition that started in Switzerland in September 2006. It arrived in Santiago de Chile to be presented from March to April 2007 at the Matucana 100 cultural centre, with the curatorship of Sigismond de Vajay, founder of the Toit du Monde cultural centre in Vevey, and with the general coordination of Carolina Olivares, both co-founders of KBB in Barcelona.
Repeat All is designed as a tour of 12 video installations or intimate spaces, with the idea of representing, through international video works from the last five years, a vast panorama of proposals with contents of excellent artistic and production quality. The approach used in the selected works has been to confront narrative, contemplative or simply radical works.
The diverse origins of the participating artists allows the confrontation of different cultures and their dialectics of influence, providing a broader vision, both in geographical and narrative terms. In this sense, each artist has used his or her own language and has narrated various events of both political and cultural contingency, whether incorporating new technologies or reflecting real and complex behaviours with classical themes.
The exhibition includes the work of the following artists: Carlos Amorales (Mexico), Alejandro Vidal (Spain), Hassan Khan (Egypt), Sanna Kannisto (Finland), PinkTwins (Finland), Jordi Colomer (Spain), Santiago Sierra (Spain), John Bock (Germany), El Perro (Spain), Muntean/Rosenblum (Austria/Israel), Sean Snyder (USA), Solmaz Shahbazi (Iran).
Details about the exhibited works
“Porzellan Isoschizo Küchentat des neurodermitischen Brockenfalls im Kaffeestrudel und das alles ganz teuer” by the German artist John Bock is an energetic and overloaded video represented by a performance starring the same artist, in a clear and precise way. The viewer enters a world that is stressed and tidal due to the amount of information received at high speed.
“Disco” by the artist couple Muntean/Rosenblum slowly and narratively explores a contemporary situation with historical references. A shipwreck of youth in a minimal scenario, concentrating the misery of a human void with the hope of a better future.
“Splitter” by the Finnish brothers PinkTwins, is the only abstract work presented by Repeat All, which acts as a link with new technologies, transforming normal images into an intense and profound pictorial abstraction using software programmed by the artists themselves.
In a totally different direction, the works of Sean Snyder, Hassan Khan, Solmaz Shahbazi and Jordi Colomer have a relationship with the south and the north, presenting situations and viewpoints in different ways.
Sean Snyder, for example, investigates through a documentary, the power of brands and globalization in Iraq and Afghanistan. Hassan Khan presents a selection of 7 mono-channel videos that relate to the city of Cairo.
Solmaz Shahbazi presents, through her didactic and minimalist documentary, the urbanizations of the rich in Istanbul; and Jordi Colomer brings a long, fresh and colorful journey through Yemen, where the irony of globalized culture is reflected through a series of characters representing their idols, who are curiously all or almost all Westerners. All these works reflect intense discourses with totally different rhythms.
“Tactical Disorder” by Alejandro Vidal and “Carabanchel Sound System” by the former Spanish collective El Perro , renamed “Democracia”, are works that reflect in a more evident way the tendencies of the video clip, reinterpreting the aesthetics of this kind of process. In each of these works, there is some detail that differentiates it from a traditional commercial video clip, placing these proposals in a political and radical urban position.
“La Visita” by Santiago Sierra is a documentary that comes out of the usual “document” produced by the artist, through her actions. This video presents us with a new aspect of the artist, developing a much more narrative and explicit piece in the use of the camera, isolating the action as a habitual process in Sierra’s work and leaving the narration as the main script.
Sanna Kannisto’s “Bee Studies” is totally different from the rest of the works. At first, the spectator can have a clear reading of a scientific video, made in a didactic way, which slowly transforms itself into a study that leads us to the evident reflection of human behavior or political management represented through the behavior of bees.
And to finish, “Dark Mirror”, the animation of the Mexican artist Carlos Amorales is the only work that requires a different spatial dimension, since it is presented installed with a double projection. Amorales’s work has been evolving since 2003, from the foundation of the record company “Nuevos Ricos”, with a series of products related to the world of music. This label has produced an infinity of merchandising objects, most of them printed with his famous graphic icons. In “Dark Mirror” you can see a contrast between a complex animation of the same icons that characterize his work, confronted with a recording of hands playing the piano. The spatial situation of the installation transfers the viewer into an aesthetic communion in a dark world.
General coordination
Sigismond de Vajay and Carolina Olivares
Installation team
MATUCAN 100
Organization
Matucana Cultural Center 100
KBB – Kültur Büro Barcelona
Toit du Monde – Vevey
Graphic Design
Ivan Hernandez
Web Master
Angeles Moreno
Special thanks
Ivan Hernandez
The artists
Maureenpaley gallery London Klosterfelde gallery Berlin
Chantal Crousel Gallery Paris
Sponsors
Government of Chile
Foundation Network
The Third
Fontarella
Ilicit
Santiago Metro
Metro Culture
LitoralPress
Development University
Software AG
Viu Manent
Concert (Radio)
Ville de Vevey
Alejandro Vidal Carlos Amorales Colomer Hassan Khan John Bock Olivares Perro Pink/Twins Repeat all Sanna Kannisto Sigismond de Vajay Snyder